SOLD – Kananginak POOTOOGOOK – stonecut – Keegavik, 1973 (owl)
Kananginak Pootoogook (Cape Dorset, 1935-2010)
‘Keegavik’ c. 1973
(sheet) 33 ¾” high x 24 ¼” wide
(framed) 37 ½” high x 30 5/8” wide
Note: Early stonecut on paper of ukpik, a great snowy owl, walking with wings spread, gaze transfixed, designed by noted and well established Inuit artist Kaninginak Pootoogook (Canadian, Inuit, 1925-2010), printed from the original drawing by Timothy Ottochie (1904-1982).
DIMENSIONS: 33 ¾” high x 24 ¼” wide (sheet); 37 ½” high x 30 5/8” wide (framed)
MARKINGS: marked lower right with artist/printer/cape dorset cho-op chops, signed lower right ‘Kananginak’, dated ‘1973’, origin ‘Cape Dorset’, number ‘19/100’, titled ‘Keegavik’; the paper is blind-embossed with the Canadian Eskimo Arts Council Symbol in margins lower right, and identified with date code lower left verso ‘4-73’
ARTIST BIOGRAPHY: Kananginak has been involved with drawing and printmaking since the late 1950s when the graphic arts program first began at Cape Dorset. Kananginak’s first print, a collaborative image with his father, Pootoogook, was included in the first catalogued collection of Cape Dorset prints in 1959. Since that time, Kananginak’s work has been included in almost every annual collection, and has been interpreted in many different print media — copper engraving, stonecut, stencil, lithography and etching. Kananginak was an accomplished stonecut printmaker himself — in the early years he often proofed and editioned his own work.
Kananginak and his siblings grew up in different camp areas on south Baffin Island. Their main camp was Ikirisaq where their father, Pootoogook, was the camp leader. Kananginak married Shooyoo from Cape Dorset in the mid-1950s. They lived at Ikirisaq until 1958 when they moved to Cape Dorset because of Pootoogook’s failing health.
Kananginak has been a prominent community leader. He was instrumental in the formation of the West Baffin Eskimo Co-operative in 1959, and served for several years as president of its Board of Directors. He is also a member of the Royal Canadian Academy of the Arts.
In 1978, four of Kananginak’s images were included in a limited edition portfolio released by the World Wildlife Commission. His work has been featured in numerous exhibitions, in both public institutions and commercial galleries. He is also a notable sculptor.
In 1997, Kananginak was commissioned by the Governor General of Canada, Romeo Leblanc, to construct an inuksuq in Cape Dorset, which was then dismantled and shipped to Ottawa. Kananginak and his son Johnny were then invited to Ottawa to re-assemble the inuksuq on the grounds of Rideau Hall as part of a tribute to Native people in Canada.
From the beginning, Kananginak has represented Arctic wildlife in his work, often monumental in scale. He is especially capable at drawing the many species of birds that frequent the Arctic. He has also done many memorable images illustrating the material culture of the Inuit, and narrative drawings of camp and hunting scenes. Recipient of the 2010 National Aboriginal Achievement Award in the Arts
(Source: Many thanks to Spirit Wrestler Gallery!)
PRINTMAKER BIOGRAPHY: On the Printmaker Timothy Ottochie: “Ottochie was perhaps the most talented and certainly the most consistent stone block cutter of all the many talented printmakers at Cape Dorset, contributing to every collection from 1961 until his death in 1983. For about 15 years or so he also did much of the editioning of the stones he cut.” — from Canadian Inuit Print Artist/Printer Biographies 1990, compiled and edited by Sandra Barz (Excerpt courtesy Inuit Art Section, Indian and Northern Affairs Canada (INAC), 1997; Source: Many thanks to Spirit Wrestler Gallery!)