Lamp – Pittsburgh – Fleur-de-lys, Dome
Lamp – Pittsburgh – Fleur-de-lys, Dome
$750.00 $750.00
Pittsburgh Lamp, Brass & Glass Company (United States, 1900-1926)
Fleur-de-Lys Dome Shade on a Brass Base
glass, brass
16 3/4″ high x 9 7/8″ diameter (shade) x 4 1/2″ high (shade)
American art glass table lamp with a red & white cased glass dome shade with black fleur-de-lys decoration on a weighted brass base, attributed to the Pittsburgh Lamp, Brass & Glass Company.
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1 in stock
Condition: Antique, Excellent
For Accuracy: an antique it may show expected light signs of age. It is in working order however it is always recommended to re-wire Antique lamps.
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Additional information
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SOLD – Smith Brothers – Biscuit Barrel – Winter Homestead
Art Glass, SOLD
Smith Brothers (New Bedford, Mass., United States)
Winter Homestead (c. 1878-1900)
Biscuit Barrel
8" high (11" w/ finial) x 6 1/4" diameter
Webb – Pitcher – Uranium, Diamond Optic
Art Glass
Antique uranium art glass water pitcher with pink opalescence and a quilted diamond optic globular body, with a tooled trefoil rim raised on a cylindrical neck and applied handle, circa 1885. The piece has quality as is likely Thomas Webb or a similar established maker.
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$495.00 $495.00
$495.00 $495.00
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SOLD – Candlestick – Czech – Kralik / Ruckl – Aventurine, Orange
Lighting, SOLD
SOLD
Rückl / Kralik (Bohemia, 20th Century)
Candlestick: ‘Flame’
orange & black glass, green aventurine
10 ¼” high x 4” diameter
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SOLD – Thomas Webb & Sons – Vase – Moroccan Tapestry
Art Glass, SOLD
Sold
Thomas Webb & Sons (England)
'Moroccan' ('alabaster-cored') (c. 1870-1890)
vase
glass, enamel
Notes: Bottle form vase decorated in ‘Moroccan’ polychrome enamel by Thomas Webb & Sons, circa 1870-1890. Described in Thomas Webb’s 1879 sketch-book as “alabaster-cored,” this Aesthetic period vase draws heavily on the influences of the Islamic and Orientalist decorative traditions.
Reference: Manley, ‘Decorative Victorian Glass’ no. 185, “A vase for identification, most deceptive. The first impression is obviously French, but Thomas Webb’s records (sketch-book of 1879) describe them as alabaster-cored, with square top and enameled, and it is when a number are placed alongside each other that this is realized, all differ in some way.