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Cornelius Ploos van Amstel (Netherlands, 1726-1798) after Allaert van Everdingen – ‘The Village,’ crayon-manner print
PrintsCornelius Ploos van Amstel (Netherlands, 1726-1798) after Allart Van Everdingen (Netherlands, 1621-1675) ‘The Village’, c. 1782 crayon-manner (image) 8 13/16” high x 10 7/8” wide (framed) 14 9/16” high x 19 7/16” wide Scroll Down for more Info$1,200.00 $1,200.00$1,200.00 $1,200.00 -
Kiakshuk (1886-1966) – ‘Untitled #32’, etching
PrintsKiakshuk (Inuit, 1886-1966) Untitled: Hunters and Animals (1962) etching (Actual): 8 ⅞” high x 11 ¾” wide (Framed): 12 7/16” high x 17 15/16” wide$750.00 $750.00$750.00 $750.00 -
Lawrence Evelyn HYDE (1914-1987) – ‘Pair, Portage, Full Moon’, woodblock
PrintsLawrence Evelyn Hyde (Canadian, 1914-1987) CSGA, OSA, CPE Untitled: ‘Mill Falls by the Full Moon’s Light’ & ‘Portaging the Falls’ Pair of woodblocks, Artist Proofs Image: 6 ¾” high x 4 ¼” wide Framed: 12 ⅛” high x 15 ⅝” wide$595.00 $595.00$595.00 $595.00 -
David ROBERTS (1794-1864), Louis Haghe (1806-1885) – ‘Temple Biggeh’, lithograph
PrintsSmall-Folio, hand-coloured lithograph titled ‘Ruins Temple in the Island of Bigge, Nubia’”, the original drawn by Scottish artist David Roberts (1794-1864) Royal Academy, and transposed to lithograph by Louis Haghe (1806-1885) and published in The Holy Land, Egypt and Nubia, Volume V, 1847. Notes: “This Temple is situated on an island close to that of Philae; owing to its greater elevation, it overlook that island and the Nile, and one of the finest points of view of the temples of Philae, from Bigge, is a scene which has already been given in this Work. Wilkinson considers that the Temple of Bigge is of great antiquity, from some granite remains and the inscriptions which they bear. The columns, however, which are seen in this sketch as part of the grand entrance, are evidently Ptolemaic, and have formed a portion of a previous portico. In advance of these, ascending from the river, once stood the flanking towers of the propylon, which commanded the outer court or dromos, of which that which now surrounds the arch was a portion; this may be traced by the sculpture which still exists. The arch is an addition of a later period; Wilkinson says, of the Christian era: it presents a singularly incongruous appearance in the midst of Egyptian architecture. The ruins are surrounded by a miserably mud built Arab village. The Temple of Bigge from its elevated situation, to which the approach was by a flight of steps, must have exhibited a noble appearance and produced a very striking effect. The present Temple appears to have been commenced by Euergetes I., and was dedicated by him to Athor; it was completed by the Caesars: but Wilkinson conjectures, from a red granite statue found there, that an edifice existed on Bigge as told as Thothmes III. Or Amunoph I., and that Bigge is the Baton of Seneca, in spite of the doubts expressed by other Egyptian antiquaries.” David Roberts Journal Scroll Down for further details$545.00 $545.00$545.00 $545.00 -
David ROBERTS (1794-1864), Louis Haghe (1806-1885) – ‘Letter Writer’, lithograph
PrintsSmall-Folio, hand-coloured lithograph titled ‘The Letter Writer, Cairo”, the original drawn by Scottish artist David Roberts (1794-1864) Royal Academy, and transposed to lithograph by Louis Haghe (1806-1885) and published in The Holy Land, Egypt and Nubia, Volume VI, 1846-9. Notes: “This has been a favourite subject with painters, and Wilkie made studies in the East of such groups as were thus presented to him. The letter-writer is usually found in the market-place, or in known stations, where those who are unable to write can with his aid communicate their joys and their sorrows to those far distant from them… This business of a letter-writer is not confined to the East. In Italy public scribes are to be found in every city, but more especially in Rome and Naples; travelers in Spain have also noticed them; and, unless very recently become extinct, even in Paris sage-looking old men are instructed with the secret correspondence of those whose education has not extended to the accomplishment of writing.” David Roberts Journal Scroll Down for further details$525.00 $525.00$525.00 $525.00 -
David ROBERTS (1794-1864), Louis Haghe (1806-1885) – ‘Siout, Upper Egypt’, lithograph
PrintsDavid Roberts (Scottish, 1796-1864) RA Louis Haghe (1806-1885) & Rev George Croly (1780-1860) Plate 7 ‘Siout, Upper Egypt’ Volume 1, ‘The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia’ (1847) Lithograph, Hand-Coloured Sight: 9” high x 13” wide Framed: 23” high x 29 ½” wide$525.00 $525.00$525.00 $525.00 -
A J CASSON (1898-1992) – ‘Yellow, Wild Flowers’, silkscreen
PrintsAlfred Joseph Casson (Canada, 1898-1992) RCA, OSA, CSPWC, CGP, silkscreen on card depicting a group of white wild flowers in their natural environment, from his Wild Flower series, made circa 1930’s$450.00 $450.00$450.00 $450.00 -
A J CASSON (1898-1992) – ‘White, Wild Flowers’, silkscreen
PrintsAlfred Joseph Casson (Canada, 1898-1992) RCA, OSA, CSPWC, CGP, silkscreen on card depicting a group of white whiteflowers in their natural environment, from his Wild Flower series, made circa 1930’s.$450.00 $450.00$450.00 $450.00 -
A J CASSON (1898-1992) – ‘Wood Veneer, Wild Flowers’, silkscreen
PrintsAlfred Joseph Casson (Canada, 1898-1992) RCA, OSA, CSPWC, CGP, silkscreen on wood veneer depicting a group of wildflowers in their natural environment, from his Wild Flower series, made circa 1930’s.$450.00 $450.00$450.00 $450.00 -
A J CASSON (1898-1992) – ‘Wood Veneer, Wild Flower’, lithograph
PrintsAlfred Joseph Casson (Canada, 1898-1992) RCA, OSA, CSPWC, CGP, silkscreen on wood veneer depicting a group of wildflowers in their natural environment, from his Wild Flower series, made circa 1930’s.$450.00 $450.00$450.00 $450.00 -
Alistair Macready BELL (1913-1997) – ‘Spanish Broom’, woodblock
PrintsSUMMARY: Original woodblock titled ‘Spanish Broom’, depicting the flower plant commonly known as Spanish Broom,Weaver’s Broom, or Retama (Spartium Junceum) in a highly textural expression of line, by listed Canadian artist Alistair Macready Bell (1913-1997).
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David ROBERTS (1794-1864), Louis Haghe (1806-1885) – ‘Colossus Wady Dabod’, lithograph
PrintsSmall-Folio, hand-coloured lithograph titled ‘Colossus in Front of Temple of Wadi Saboua, Nubia, the original drawn by Scottish artist David Roberts (1794-1864) Royal Academy, and transposed to lithograph by Louis Haghe (1806-1885) and published in The Holy Land, Egypt and Nubia, Volume II, 1846-9. DESCRIPTION: “IMMEDIATELY in front of the propylon originally stood two fine colossal figures: these were at the end of the avenue of Sphinxes, while two others stood at the commencement of the dromos. Each bore in his left hand a symbolical staff, surmounted with a ram's head and disk. The hair on each of the Colossi is arranged in the Nubian or Berber fashion, bound with a fillet, in front of which is the asp. The dress around the loins is gathered in front, unlike that which is usually observed in the Ptolemaic, or lower periods. Both of these statues have fallen, but our Artist has placed one standing, to shew the symmetry of its form. Each statue is fourteen feet in height, and about five feet across the shoulders. The Sphinxes of the avenue have the head of Osiris instead of that of the ram, which monstrous emblem is more frequently employed to represent intellectual power.” Commentary by William Brockedon, F.R.S. Scroll Down for further details$395.00 $395.00$395.00 $395.00 -
David ROBERTS (1794-1864), Louis Haghe (1806-1885) – ‘Approach to Petra’, lithograph
PrintsDESCRIPTION: A curiously wind-carved rock overhangs on the left side, atop is an ancient watchtower once used to safeguard the entrance to Petra. Around the rock, near the artist, is a caravan of people, camels, makeshift tents, and goods. NOTES: Originally sketched on Feb. 5th 1839 on a break as Roberts caravan approached Petra. Robert notes in his journal the guides had difficulty gaining access to the area as the local tribe was denying entry, and while they set about coming to a monetary agreement to allow safe passage he set down and recorded the view. (Ballantine/Roberts, pp. 120) Scroll Down for further details$395.00 $395.00$395.00 $395.00 -
Henri MASSON (1907-1996) – ‘Gaspe Peninsula, Quebec’, serigraph
PrintsFrench serigraph in colours of the Gaspé Peninsula, Quebec, by listed artist Henri Masson (Canadian, 1907-1996), OSA, CGP, GSPWC, signed. Scroll Down for further details$350.00 $350.00$350.00 $350.00 -
Nicholas HORNYANSKY (1896-1965) ‘Old Lewiston Bridge’, aquatint
PrintsSummary: Rare coloured Post-Expressionist etching titled ‘Lewiston Bridge’ by respected and listed Canadian artist, Nicholas Hornyansky (1896-1965). Hornyansky is regarded for picturesque and accurate renderings of historical landmarks. Shown is a view of the second Queenston-Lewiston Suspension Bridge (1899-1962), from the American side looking towards the Queenston Monument. In 1899 the Falls View Suspension Bridge was dismantled and moved to this location to replace the first Queenston-Lewiston Bridge that was destroyed by wind in 1854. Coloured in Hornyansky’s trademark use of gradients, in this example from blue, through violet, towards a grey, with the Queenston Heights monument illuminated in yellow. Squaring the image to the monument are the blossoms and swirling eddies executed in the Japanese taste. Scroll Down for further details$345.00 $345.00$345.00 $345.00
Prints
Origin
- Austria (1)
- Canada (15)
- England (8)
- France (2)
- Japan (3)
- Netherlands (1)
- Nunavut (1)
- Russia (2)
- Spain (1)
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Maker
- Alfred Joseph AJ Casson (1898-1992) (1)
- Cornelius Ploos van Amstel (Netherlands 1726-1798) (1)
- Currier & Ives (1)
- David Roberts (8)
- Edward Frank Gillet (1)
- George Catlin (1)
- Harold Barling Town (1)
- Henri Masson (1)
- Herta Zuckermann (1)
- J Fenwick Lansdowne (1)
- Jamie Evrard (1)
- Joan Miro (1)
- Kiakshuk (1886-1966) (1)
- Malte Sterner (1)
- Marion J Johnston (1)
- Nicholas Hornyansky (3)
- Richard Lacroix (1)
- Ronald (Ron) Okey (1)
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- Sergei Vasil'evic Chekhonin (2)
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Period
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Style
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Material
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